Media Insight: Access Hollywood

3000 West Alameda

Burbank, Calif. 91523

Phone: 818/526-7000

Editor's Note: When it comes to Access Hollywood, we have some good news and very welcomed advice: pitch, pitch, pitch. These producers don't only look to PR specialists for leads and story ideas; they actually field calls on a regular basis. The show has an entertainment format and producers and bookers are always looking for ways of covering the chic and the cheeky in new ways.

Sections Films, TV, Music:

You can rest assured that if it's TV, feature films or music, Access Hollywood is going to have its nose in it.
Producers Senior Segment Producer for Music:

Karen Fields-Hutton Phone: 818/526-7000 Fax: 818/526-7001

Senior Segment Producer for TV:

Laurie Kantor Phone: 818/526-7000 Fax: 818/526-7001

Senior Segment Producer for Feature Films:

Nancy Ciccarelli-Finley Phone: 818/526-7000 Fax: 818/526-7001

Days to contact/

Days to avoid
Producers, staffers and the 20 bookers who work on the show are very busy during the morning as they gear up for daily taping which takes place from noon to 1:30 p.m. Pacific time.
Methods What's preferred are faxes, followed by general mail. Make your pitches brief and to the point, as you're likely to be left behind if they're long-winded and cumbersome. This is a media outlet that works under very tight deadlines and at a frenetic pace.
Comments These producers don't mind follow-up calls but they want to have something in writing before they begin a conversation with you.
Sections Fashion & Publishing:

The program hits on everything from what's happening at George to who the up-and-coming models are.
Producers Senior Segment Producer for Fashion and Publishing:

(handled out of the New York office)

Jeneine Doucette Phone: 212/332-3140 Fax: 212/332-3141

Address: 10 Rockefeller Plaza, Suite 820, New York, N.Y. 10020
Days to contact/

Days to avoid
Like those in Burbank, Access Hollywood newshounds in New York are tougher to get hold of in the morning but remember to factor in the time difference. However, a pitch in the a.m. may mean they'll have more time to mull it over before they're overloaded with info.
Methods Try a fax first, then general mail, then a follow-up call. If you want to attempt a cold call to pass along background info., a source's name or a recommended resource, make sure you make it worth these folks' time and relevant to what they cover.
Comments The word that's come down from these producers that's key to whether your pitch will fly or not is how familiar you are with the program. Refrain from "catch-all" pitches.
Sections News:

What falls here is anything that doesn't come under the umbrella categories listed above.
Producers News Producer:

Anita Devi Phone: 818/526-7000 Fax: 818/526-7127
Days to contact/

Days to avoid
Mornings and early afternoon are "crunch" times. Try later in the day.
Methods Once again, it's faxes first and never e-mail.
Comments This 9-month-old entertainment program relies on PR pitches. One staffer told us: "We spend all day on the phone talking to people" - including PR specialists and execs.